SHARKPACK Poetry Review

An imprint of FATHOMBOOKS.

POTM: Seamus Heaney’s “Bone Dreams”

Bone Dreams

I

White bone found
on the grazing:
the rough, porous
language of touch

and its yellowing, ribbed
impression in the grassโ€”
a small ship-burial.
As dead as stone,

flint-find, nugget
of chalk,
I touch it again,
I wind it in

the sling of mind
to pitch it at England
and follow its drop
to strange fields.

II

Bone-house:
a skeleton
in the tongueโ€™s
old dungeons.

I push back
through dictions,
Elizabethan canopies.
Norman devices,

the erotic mayflowers
of Provence
and the ivied latins
of churchmen

to the scopโ€™s
twang, the iron
flash of consonants
cleaving the line.

III

In the coffered
riches of grammer
and declensions
I found ban-hus,

its fire, benches,
wattle and rafters,
where the soul
fluttered a while

in the roofspace.
There was a small crock
for the brain,
and a cauldron

of generation
swung at the centre:
love-den, blood-holt,
dream-bower.

IV

Come back past
philology and kennings,
re-enter memory
where the boneโ€™s lair

is a love-nest
in the grass.
I hold my ladyโ€™s head
like a crystal

and ossify myself
by gazing: I am screes
on her escarpments,
a chalk giant

carved upon her downs.
Soon my hands, on the sunken
fosse of her spine
move towards the passes.

V

And we end up
cradling each other
between the lips
of an earthwork.

As I estimate
for pleasure
her knucklesโ€™ paving,
the turning stiles

of the elbows,
the vallum of her brow
and the long wicket
of collar-bone,

I have begun to pace
the Hadrianโ€™s Wall
of her shoulder, dreaming
of Maiden Castle.

VI

One morning in Devon
I found a dead mole
with the dew still beading it.
I had thought the mole

a big-boned coulter
but there it was
small and cold
as the thick of a chisel.

I was told โ€˜Blow,
blow back the fur on his head.
Those little points
were the eyes.

And feel the shoulders.โ€™
I touched small distant Pennines,
a pelt of grass and grain
running south.

โ€”Seamus Heaney