Mary Oliver’s “Wild Geese”
[Adversaries in Love is SPR‘s version of a blind throwdown: two of us enter the squared circle with backs turned, …
Stephanie Rose Adams
Scott Cairns’ “Aspect”
Cairns’ “Aspect” impresses by virtue of its molecular fancy and romance. Though its discourse is redolent of Marvell—the conversational ‘event’ …
Stephanie Rose Adams’ “Through the Long Greenhouse”
Though my regular acquaintance with contemporary poetry periodicals comprises only four or five magazines, I assert that Stephanie Rose Adams’ …
Stephanie Rose Adams’ “The Honey Jar”
Salient in Ezra Pound’s too-profuse stream of Modernist poetic dictates is his admonishment that poetry be ‘as well written as …
The ‘Business’ of the Master’s Workshop
Though identifying ‘the crucial’ in a matter is often a straightforward process of logical assessment, the relative simplicity or complication …
